SciELO - Scientific Electronic Library Online

 
vol.29 issue2Analogy and Sublimation: an Answer to the Problem of the Passage from Silence to Word in the Philosophy of Merleau-PontyPaul Valéry: Paradoxes and Challenges of Art in the Modern Economic System author indexsubject indexarticles search
Home Pagealphabetic serial listing  

Services on Demand

Journal

Article

Indicators

  • Have no cited articlesCited by SciELO

Related links

  • Have no similar articlesSimilars in SciELO

Share


Areté

Print version ISSN 1016-913X

Abstract

MARTINEZ VILAJUANA, Sergio. Repetitions, Membranes and Rhythms: an Encounter Between Gilles Deleuze and Paul Klee. arete [online]. 2017, vol.29, n.2, pp.361-384. ISSN 1016-913X.  http://dx.doi.org/10.18800/arete.201702.006.

In this work we seek to propose an encounter between Gilles Deleuze and Paul Klee. In the first place, we explore the concept of repetition that appears in the second chapter of Deleuze’s Difference and repetition. This concept gives an account of the genesis of the experience of time and allows its author to ask about its status. Once we have considered the role of the experience of repetition, we question the image of itself. That is to say, what experiment in the limit of itself. In order to do that, we introduce the notion of membrane. And if this notion makes problematic the unfold in itself of the experience of repetition, we propose to explore this through the notion of rhythm that we find in the thought of Paul Klee. This would imply to ask about the relation between art and nature from a cosmogenetic perspective.

Keywords : Gilles Deleuze; Paul Klee; repetition; membrane; rhythm.

        · abstract in Spanish     · text in Spanish     · Spanish ( pdf )

 

Creative Commons License All the contents of this journal, except where otherwise noted, is licensed under a Creative Commons Attribution License