SciELO - Scientific Electronic Library Online

 
vol.89 número130Tensiones discursivas, desacralización y migrancia en la poesía peruana de la década de los 80El huésped de Amparo Dávila, del ansia al horror índice de autoresíndice de materiabúsqueda de artículos
Home Pagelista alfabética de revistas  

Servicios Personalizados

Revista

Articulo

Indicadores

  • No hay articulos citadosCitado por SciELO

Links relacionados

  • No hay articulos similaresSimilares en SciELO

Compartir


Letras (Lima)

versión On-line ISSN 2071-5072

Resumen

RIVAS SUCARI, Henry César. The modernizing myth in the novel El zorro de arriba y el zorro de abajo by José María Arguedas. Letras [online]. 2018, vol.89, n.130, pp.152-174. ISSN 2071-5072.  http://dx.doi.org/10.30920/letras.89.130.7.

The function of myth, as a modernizing mechanism in the novel, may seem a contradiction, since it has been traditionally linked, mainly, to archaic thought, to the worldview model of the first civilizations. For that reason, this concept or category would oppose the modernizing function of a novel in the context of "El boom latinoamericano". In this article, we are interested in arguing how José María Arguedas, in his latest novel El zorro de arriba y el zorro de abajo, uses some clichés of the myth to structure a proposal for a modern novel, such as the intertextual character, the dialogue, the timeless character, the sacrificial rite and the binary character. This audacious strategy corresponds to a logic linked to its poetic claim to indigenous culture. In this sense, you can design a proposal even more ambitious than that of the Boom writers, because not only do you experience the formats of the novel in the Western style, but you also assume a cultural element of your own to build your poetics. A task that the members of the Boom could not perform.

Palabras clave : El zorro de arriba y el zorro de abajo; José María Arguedas; Myth; Modern novel; Latin American Boom.

        · resumen en Español     · texto en Español     · Español ( pdf )

 

Creative Commons License Todo el contenido de esta revista, excepto dónde está identificado, está bajo una Licencia Creative Commons