 Presentation |
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| | · Reinvenciones y nuevas poéticas del cine en la era posinternet: salir del scroll. Por una mirada offline sobre la imagen digital
Hernández López, Gala; Pena Morado, Alejandro
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| Dossier |
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| | · Spectacle, camera, authorship and surveillance in ‘found footage’
Aguilar Alcalá, Sergio José
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| | · Appropriation cinema at the dawn of the digital age: reflections from harun farocki’s work
Flores Fernández, Camila
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| | · Óscar Pérez (1981-2018): Chronicle of a Death Foretold
Deneuville, Allan
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| | · Poor images and the ostentation of the pixel: relations between cinema and the internet in videophilia (and other viral syndromes)
Akemi Ishii, Regiane
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| | · Rewriting the horror genre through new digital realities in Cam by Daniel Goldhaber
Bedoya Forno, Rodrigo
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| | · Hegemonic signs in the film Ex-machina: robotization and control
Morales Campos, Arturo
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| | · Spectropolitic: image and hauntology in the contemporary visual culture
Gómez Gabriel, Núria
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| | · Archivos fílmicos en línea: apuntes en torno al acervo universitario chileno
Albornoz Fariña, Ignacio
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| Trends |
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| | · Professional identities, agencies and business models: notes on the history of advertising in Brazil
Aucar, Bruna; Rocha, Everardo
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| | · Two countries, many childhoods: meetings to create with the films carreto and una niña, una escuela
Omelczuk, Fernanda; Perera Pérez, Maricela
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| | · The strategies of belief in Quentin Tarantino’s the Hateful Eight
Núñez Alberca, Alejandro
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All the contents of this journal, except where otherwise noted, is licensed under a Creative Commons Attribution License
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